Content Updated On : 2022-12-05

I'm done with effects movies for now. When you do a movie like 'Transformers', it can feel like you're doing three movies at once - which is tiring.

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I was in 'Lock, Stock and Two Smoking Barrels,' and I like my bad boy movie movies.

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I'm obsessed with the power of music and image together. There's also something about music videos that are incredibly glamorous - there's a fetishistic aesthetic to them that you don't really see in movies in the same way.

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I loved 'SNL' growing up, and I would trick my babysitter into letting me stay up to watch it. My family would rent Marx brothers' movies and Monty Python episodes, and we watched 'In Living Color', 'The State', and 'Strangers with Candy'.

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I think with movies I am really connecting to the Joseph Campbell idea of the collective unconscious.

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To us, being the bad guys is cool, because we always root for the bad guys in the movies.

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I appreciate a slow-burn romance. In most movies, everyone is just tearing their clothes off in the first scene.

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We're only on the earth for a short period of time. Movies aren't enough. I want to take my success and parlay it into something bigger and better.

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The next thing I knew, I was out of the service and making movies again. My first picture was called, GI Blues. I thought I was still in the army.

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Many years ago, I had the pleasure of editing a book by Joan Crawford, who, like Norma Desmond, was still a big star; it was just the movies that had gotten smaller.

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I've said this a million times. But I've always wanted to do movies.

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I manage to hide in my movies.

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The best movies have one sentence that they're exploring, a thesis, something that people can argue about over dinner afterward.

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I was scared of everything growing up. I still don't like scary movies.

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You could say that it's in talking movies that inner life begins to appear. You can see things happen to the faces of people that were neither planned nor rehearsed.

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Success is not something I've wrapped my brain around. If people go to those movies, then yes, that's true, big-time success. If not, it's much ado about nothing.

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There's this little box that African-American actors have to work in, in the first place, and I was able to rise above that box. I could have done a bunch of movies where I stayed as the Axel Foley or Reggie Hammond persona. But I didn't want to be doing the same thing all the time. Every now and then, you crash and burn, but that's part of it.

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The guys that do have the confidence to hit on me are not necessarily my type, but they think they are because I'm a pop star; I sing songs, do movies. I like to feel sexy and confident on stage.

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When the Beatles came in, I really concentrated on making a lot of movies. Those beach films that we did were a lot fun. They hit with an audience that related to what we were trying to do on the screen. That kept me going all through that Beatle period.

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I never play a villain that I don't have something I can either do or say so the audience sees there is something redeemable about them. In other words, I don't want to do evil for evil's sake. I don't want to do Jason slasher movies. There's no point in that.

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