One of the things I love about music and making beats is making something and watching someone's reaction, knowing you can do something to manipulate the way people move or act.
A composition is always more than the sum of its parts. In other words, a really good piece of music is more than itself. It's sort of like a prism, which you can see from each facet a single totality.
Sometimes I'll have sections that I'm not quite sure how they fit in the puzzle of a tune, they'll get moved around; what I think was originally a verse ends up becoming the chorus, or what's an intro gets dropped as a hook, things get shifted around a lot.
I want to take Justin Bieber for a month and just lock him up in a cage where we sit and make music. He's one of the most successful people in the world, but his music could be so much tighter.
I think I work much the same way I always have. I'm trying to interpret something emotionally visually. I'm reading the brief or article, or listening to the music, and deciding where that sends me, and what would it look like.
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